Almost Alive - Press Coverage & Features
Almost Alive has been lucky to be featured on a lot of top music media websites and platforms. Here are a few links..
Headwinds
Mystic Sons - The Indie Grid - Return of Rock - No Transmission - DSCVR Liberty - Flex Music - The Real Ding - Ignite Music Mag - Get It Shared - Music News - The Real Ding - The Indie Grid
Undercurrent
Ignite Music Mag - No Transmission - Larks & Lines - DSCVR Liberty - Flex Music - Clash Music - Find Your Sounds - Roadie Music - Music News - The Real Ding - The Indie Grid - TAGG
Pulse
Fame Magazine - Music for the Misfits - FLEX - Melodrift - Curious for Music - DSCVR - The Real Ding - Find Your Sounds - Larks & Lines - Music News - Roadie Music - I'm Not From London - Ignite Music Mag - IHouseU - Notion - Rotate Magazine - TAGG - The Real Ding - The Indie Grid - Tits Upon Tyne - We Speak Media
Hypnotica
Earmilk - Fame Magazine - Flex - The Indie Grid - I'm Not From London - Ignite Music Mag - Rotate Magazine - Find Your Sounds - TAGG - We Speak Media - IHouseU - Melodrift Music Blog - Curious for Music - The Real Ding - Music-News.com - Tits Upon Tyne - Larks and Lines - Roadie Music - Roadie Music - Return of Rock
Read what others have said
Featured Coverage
“Almost Alive is beginning the rollout for its next album Headwinds with new single “Moon Come Down”. Its music video was developed through a mixture of AI platforms and traditional editing, reflecting Kanter’s background in both software and game development. ”
“As the opening chapter of Headwinds, ‘Moon Come Down’ suggests Almost Alive are no longer merely experimenting with the space between music and technology. They are beginning to make that space entirely their own.”
“There’s a particular kind of musician who doesn’t just listen to music - they dismantle it. They hear a song and immediately start pulling at its threads, asking why the drums hit where they do, why that guitar tone cuts through the way it does, why a chorus lands with the weight of something inevitable rather than something constructed. Evan Kanter is that kind of musician.”
“The future of rock, Almost Alive suggests, is not a rejection of its past. It is a return to its emotional roots - just louder, sharper, and built by whatever means necessary.”